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-Museo Libre, founded in 2013 by the collective SURVAMOS in Ciudad Bolívar, Bogotá, operates as a socio-spatial network where art, materiality, and collective agency collabrate. The project transforms marginalised neighbourhoods through murals and community participation, reorganising what Latour (1996) defines as an actor-network—a dynamic system of human and non-human actors, including artists, river, buildings, and citizens. Within this structure, agency is relational rather than hierarchical, aligning with Law’s (2008) view that material semiotics reveals how social order emerges through heterogeneous associations.
-Each mural is co-produced through communication, turning the physical environment into an expressive medium for community identity (SURVAMOS & Endémico Andino, 2021). This reflects McFarlane’s (2021) concept of generative translation, where learning and transformation take place through situated practice. Czarniawska (2010) similarly describes such processes as action networks, where organization arises from interconnected actions rather than hierarchical planning. Museo Libre acts as a device of collective translation, mediating between materials, people, and meanings.